Critical
Comments: |
MANHATTAN IMPRESSIONS |
|
(Homage to
Gershwin) (orchestra) |
The freshness of
the Gershwin theme is in evidence from the start,
with the music of a real findCharles Pizer
(b. 1941).
Pizers Manhattan
Impressions (1993), subtitled Homage to
Gershwin, displays his gifts in abundance:
a freeflowing but brassy lyricism and an
instinct for stick-to-your-ribs melody, with
intonations satisfying either casual or serious
listening. The work is a suite of all things
Gershwin the blues, the sound of the 30s,
the onomatopoeia of urban bustle and energy. Manhattan
Impressions is sure to pull you into the
collection.
|
Stephen Ellis, Fanfare magazine |
|
only Charles
Pizers enthusiastic and shamelessly
worshipful Manhattan Impressions
(subtitled Homage to Gershwin) really
remains within the stylistic confines of the
Whitemanesque metropolitan school.
Pizer glories in these urbanistic clichés
with amiable pizzazz and a total lack of
pretension
|
Paul A. Snook, Fanfare magazine |
|
The spirit of
Gershwin (whose centenary we celebrate this year)
hovers over this whole enterprise. Especially
enjoyable [is] Charles Pizers four-movement
pops suite, Manhattan Impressions
(1993)
|
Andrew Achenbach, Gramophone
magazine |
|
There are points in Charles
Pizer's Manhattan Impressions: Homage to
Gershwin (1993) where the listener could
swear that they are listening to some long-lost
Gershwin material possibly cut from Porgy and
Bess. The orchestration and harmonies of the
middle sections, in particular, seem to come
directly off the pages of Gershwin and Grofe. For
anyone who wishes that Gershwin had composed
more, this is not necessarily a bad thing.
[The] American Legacy [compact
disc] shows that writing well-crafted, light
orchestral music is not a dead art, nor consigned
only to Hollywood. Many will no doubt find it
encouraging that some contemporary composers
still value the ability to write memorable tunes.
The works
have harmonic and melodic facets
of jazz, popular song, and blues original
American vernacular elements stewed together
within the more formal framework of
"classical" orchestral music.
fortunately, composers such as
Pizer
seek to carry foward the banner.
|
Jim Farrington, Eastman
School of Music,
Sonneck Society Bulletin |
|
|
Performances/Broadcasts
include: |
- Manhattan
Impressions (Homage to
Gershwin)
— performances
include those by the
• Rockford Symphony Orchestra,
Steve Larsen, conductor
— broadcasts
include those by:
|
KMFA
(Austin, TX) |
|
WNYC (New York, NY) |
|
WCNY
(Syracuse, NY) |
|
WDPR
(Dayton, OH) |
|
WCVE
(Richmond, VA) |
|
WHIL
(Mobile, AL) |
|
WPRB
(Princeton, NJ) |
|
Nebraska
Public Radio Network |
|
Wisconsin
Public Radio Network |
|
Georgia
Public Radio Network |
|
Beethoven
Satellite Network |
- Quickies
for Quartet, Kronos String
Quartet, University of San Francisco
- Improvisatory
works performed at Boston
Conservatory of Music (Boston, MA),
San Jose Museum of Fine Arts (San Jose,
CA), & 1750 Arch Street (Berkeley,
CA)
|
Awards
& Honors
include: |
- First
Prize & 3
awards, 1991 Sonya Jason
Jazz Composition Contest
- Award,
1991 Billboard Song Contest
(jazz)
- 2
awards, 1990 3rd Annual
Songwriters Contest (Songwriters
Association of America)
- Honorary
Member, Kappa Gamma Psi
Musical Fraternity of America, 1973
induction
|
Bibliography
includes: |
- "Couple
Seeks Local Solitude" feature
article,
Watertown Daily Times
- "A
Mom & Pop (Music) Operation"
feature article,
Watertown Daily Times
- "North
Country Music Factory" feature
article,
Syracuse Sunday HeraldAmerican
- "
&
here are seven more festival
newcomers"
The International Rag
- Directory
of Library & Information
Professionals
|
|